Stephen Thompson

The audience for Hanson's first Tiny Desk concert could be cleanly sorted into two distinct camps: the curious and the committed.

Like many singer-songwriters, Jason Isbell writes music that mirrors developments in his own life. In recent years, that's thankfully included the hard-won contentment he's experienced on his path to 40: sobriety, marriage and on from there.

The moment you get a look at ALA.NI behind the Tiny Desk, you'll notice it in the foreground: The singer asked us to record her set using her vintage RCA Ribbon microphone, which she carries around in a small briefcase between shows. It's a security blanket, a bit of visual branding, a statement of stylistic intent — and, not for nothing, a big reason ALA.NI's voice carries with such warmth and intimacy.

Maggie Rogers became a viral star on the strength of a video in which Pharrell Williams raves about a demo of what's become her signature song, "Alaska." Since then, Rogers has signed a label deal, toured extensively and released a sweetly approachable, inventively arranged EP called Now That The Light Is Fading.

Holly Macve's voice seems to hover from era to era, coming to rest somewhere between the lonesome twang of Patsy Cline and the moodily modern slur of Lana Del Rey. Macve's songs lope and shimmer at a lazy pace, but they never lack drama, even as she holds herself motionless.

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