Justin Chang
Justin Chang is a film critic for the Los Angeles Times and NPR's Fresh Air, and a regular contributor to KPCC's FilmWeek. He previously served as chief film critic and editor of film reviews for Variety.
Chang is the author of FilmCraft: Editing, a book of interviews with seventeen top film editors. He serves as chair of the National Society of Film Critics and secretary of the Los Angeles Film Critics Association.
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This drama about a young man's journey with his 5-year-old nephew into the Vietnamese countryside is composed mostly in long, unbroken takes — to quietly mesmerizing effect.
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Peter Sarsgaard is a man with early-onset dementia and Jessica Chastain is a single mother with a traumatic past in a film about two people who come into each other's lives at just the right time.
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Jonathan Glazer's film depicts the family of Auschwitz camp commandant Rudolf Höss — they go about their daily routines while a massive machinery of death grinds away next door.
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Film critics like to argue, but Chang says that he and his colleagues agree that this was a really good year on screen. Beyond the Barbie and Oppenheimer blockbuster, here's what you shouldn't miss.
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Emma Stone stars as an adult woman with the anarchic spirit of a very young child in a strangely touching film that's filled with transgressive sex, sadistic power games and grisly violence.
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Hayao Miyazaki's beguiling new fantasy combines the excitement of a boy's grand adventure and the weight of an older man's reflection. The hypnotic story is a partial self-portrait by an anime master.
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Cooper plays the legendary composer and Carey Mulligan is his wife, Felicia Montealegre, in a new drama that exquisitely renders Bernstein's musical brilliance and human flaws.
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Natalie Portman and Julianne Moore star in Todd Haynes' dark and disturbingly funny film about a teacher who was convicted of raping her sixth grade student — and later went on to marry him.
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The mundane becomes mesmerizing in David Fincher's dark comedy, which tracks every detail of a hit man's routine: the scheduled naps, the fast-food runs, the yoga stretches he does to stay limber.
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Adapted from Priscilla Presley's 1985 memoir, the film shows us the cracks in Elvis' Prince Charming veneer — the way he lavishes Priscilla with attention and then suddenly withholds it.