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Iran and six world powers have a framework on Iran's nuclear program. Steve Inskeep talks to Williams Burns, who led an early round of negotiations with Iran during the Obama administration.

Construction is starting in Chile on a new sort of telescope. One aim is to survey huge swaths of sky for faint signals of a "Planet X" that may be lurking on the farthest edges of our solar system.

One of the tallest skyscrapers in Venezuela has been occupied by some 3,000 squatters since 2007. The half-finished "Tower of David" — named for its financier, David Brillembourg — is now being evacuated by the Venezuelan government. Ari Shapiro talks to architecture critic Justin McGuirk about the building.

John Michael McDonagh's new movie stars Brendan Gleeson as a priest who must eventually face off against a killer. It's excruciatingly obvious and inept, but Gleeson brings it alive.

Not that long ago, female elite athletes thought they had to retire if they wanted to have kids. Now, they're competing throughout pregnancies and getting right back to training once they deliver. In some cases, they're even making the most out of sponsorship deals they might have once lost.

The Perez Art Museum Miami opens this week, and despite praise for the building's design, the museum faces controversy over its name and has an uphill battle in a city where the art scene is already defined by private collectors.

On Sunday, the London Philharmonic debuted a new piece of music based on Roald Dahl's Dirty Beasts. With Matilda playing to sold-out crowds on Broadway and Charlie and the Chocolate Factory running in London's West End, this is just the latest work by the author to get a musical soundtrack.

With four casinos shuttered, a fifth on the brink and 7,000 jobs lost, the once-glittery Atlantic City ponders a path to the future.

The Democrats running for president appeared in their first official debate Tuesday night in Las Vegas. The candidates pressed many of the same themes they discuss on the campaign trail.

It has been 36 years since the first Mad Max film crash landed into theaters. David Edelsein says the forth installment of the series is "basically one long chase with ever more insane variables."