
Aisha Harris
Aisha Harris is a host of Pop Culture Happy Hour.
From 2012 to 2018, Harris covered culture for Slate Magazine as a staff writer, editor and the host of the film and TV podcast Represent, where she wrote about everything from the history of self-care to Dolly Parton's (formerly Dixie) Stampede and interviewed creators like Barry Jenkins and Greta Gerwig. She joined The New York Times in 2018 as the assistant TV editor on the Culture Desk, producing a variety of pieces, including a feature Q&A with the Exonerated Five and a deep dive into the emotional climax of the Pixar movie Coco. And in 2019, she moved to the Opinion Desk in the role of culture editor, where she wrote or edited a variety of pieces at the intersection of the arts, society and politics.
Born and raised in Connecticut, she earned her bachelor's degree in theatre from Northwestern University and her master's degree in cinema studies from New York University.
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In the new show Swarm, Dominique Fishback plays a serial killer obsessed with a pop star.
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The former child star capped off a successful awards season with an unsurprising win. Quan is only the second Asian performer to receive this award after Haing S. Ngor for The Killing Fields in 1985.
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Love them or hate them, we can't resist "best of" lists. But why?
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The NPR special series "Screening Ourselves" focuses on representation in three Hollywood films that are now considered classics: The Godfather, Basic Instinct, and The Color Purple.
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After releasing her album Renaissance, Beyoncé received backlash for the song, "Heated." She used a word that some consider a slur towards people with disabilities — and has since changed the lyrics.
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If you think you know what to expect with Nope based on the previews, you're wrong.
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A new comedy series created by Issa Rae taps into the complexities of being an aspiring female rapper in the age of social media.
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From her earliest days at MGM to The Judy Garland Show, the powerhouse entertainer was singular and enduring.
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In his new HBO special, Carmichael comes out — working through both joy and despair on stage.
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What does it mean for the elite circle of Black actors, directors and producers in Hollywood when moments like Will Smith's slap at the Oscars happens?