
Aisha Harris
Aisha Harris is a host of Pop Culture Happy Hour.
From 2012 to 2018, Harris covered culture for Slate Magazine as a staff writer, editor and the host of the film and TV podcast Represent, where she wrote about everything from the history of self-care to Dolly Parton's (formerly Dixie) Stampede and interviewed creators like Barry Jenkins and Greta Gerwig. She joined The New York Times in 2018 as the assistant TV editor on the Culture Desk, producing a variety of pieces, including a feature Q&A with the Exonerated Five and a deep dive into the emotional climax of the Pixar movie Coco. And in 2019, she moved to the Opinion Desk in the role of culture editor, where she wrote or edited a variety of pieces at the intersection of the arts, society and politics.
Born and raised in Connecticut, she earned her bachelor's degree in theatre from Northwestern University and her master's degree in cinema studies from New York University.
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Ye, the artist formerly known as Kanye West, has been directing abusive and inappropriate behavior at his ex-wife Kim Kardashian and her new partner Pete Davidson.
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Movie box offices may not be booming yet, but that won't keep Hollywood from throwing itself a big party. Invitations went out Tuesday in the form of Oscar nominations.
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Ted Lasso, In Treatment and The White Lotus have demonstrated how to subvert this tired stereotype.
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He has a hook for a hand. He's covered in bees. And we first met him in 1992. The supernatural killer in "Candyman" left a huge impact on Jordan Peele, who has now co-written and co-produced a sequel.
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Emmy-nominated Ted Lasso begins its second season on Friday. Does it live up to Season One's hype?
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The movie Zola opens this weekend. It was inspired by an epic, viral Twitter thread from 2015.
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The 93rd annual Academy Awards take place tonight. While this year's ceremony will be different from previous ones due to the pandemic, controversies remain.
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NPR's Michel Martin talks with Aisha Harris, host of the Pop Culture Happy Hour podcast, and NPR Music's Stephen Thompson, about how the events of 2020 have forever changed the entertainment industry.