Oliver Wang
Oliver Wang is an culture writer, scholar, and DJ based in Los Angeles. He's the author of Legions of Boom: Filipino American Mobile DJ Crews of the San Francisco Bay Area and a professor of sociology at CSU-Long Beach. He's the creator of the audioblog soul-sides.com and co-host of the album appreciation podcast, Heat Rocks.
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In 1968, the British singer flew to the U.S. after signing with Atlantic Records. Her acclaimed recordings from this period are collected in Dusty Springfield: The Complete Atlantic Singles 1968-1971.
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Rampart Records documented L.A.'s Eastside Sound during a fertile period of interracial collaboration from the 1960s through the early 1990s. Now, some of that music has been reissued.
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Hip hop duo Gang Starr broke up in the mid-2000s and in 2010, MC Guru died. So fans were surprised by the announcement of a new, posthumous album called One Of The Best Yet.
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The 1972 concerts at The Apollo were recorded but, inexplicably, never released — until now. They show a side of Brown content to turn the show over to his collaborators.
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Maybe this is all part of some performance-art piece we've been unwittingly sucked into. But either way, it seems to be working.
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Kendrick Lamar's long-awaited new album dropped late Sunday night, nine days early. On it, the rapper wades into our current moment of peril around race, inequality and brutality.
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Steven Ellison has built an impressive reputation among critics and fans in the know for mixing hip hop, jazz and electronica into something original. But even for the aforementioned followers, the new album from Ellison — better-known as Flying Lotus — is a surprise. It's all about death, not as something to be mourned but as a journey to be anticipated.
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On an unlikely tribute album, singer Dionne Farris and guitarist Charlie Hunter tackle Warwick classics with revealing subtlety — and nods to the musicians' own origins in early-'90s rap.
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The musician born Marcos Garcia was known for years as a member of the Afrobeat ensemble Antibalas — but one day, he began tinkering with his daughter's Casio keyboard.
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After months of speculation, West's latest album reveals itself as a trim, 10-song, 40-minute effort that's heavy on electronic and industrial influences. It's also another piece of the puzzle to one of pop music's most compelling — and frustrating — figures.